Morphology of Forgetting

In Morphology of Forgetting, symbols emerge with restrained force, exploring the relationship between memory and oblivion through an image steeped in stillness and emotional resonance.

The female figure, gazing with a blend of distance and melancholy, is surrounded by poppies—flowers traditionally associated with sleep, forgetting, and the threshold between life and death. Without resorting to literalness, the photograph evokes the latent way in which memories endure: not as sharp scenes, but as silent presences that continue to surface from within.

Inspired by classical iconography—particularly Greek—the scene builds a suspended, almost ritual atmosphere. Costume, lighting, and composition converse with pictorial tradition, yet from a contemporary perspective that places the symbolic at the heart of the visual.

Rather than depicting, the image suggests. It invites us to consider memory not as an archive, but as an emotional landscape: a terrain where what we believed forgotten still blooms, even if only in shadow.

Limited edition fine art prints for collectors and galleries.

Produced on baryta quality paper, all limited edition prints are signed and numbered by hand by the artist.

Each piece of artwork is accompanied by a Certificate of Authenticity.

Dimensions represent full paper size, including borders (2cm).

Prints are shipped unframed.

The artist reserves the right to produce up to two Artist Proofs for each artwork in addition to the edition sizes listed.

Shipping costs depending on the area.

It is important to avoid direct contact with sunlight. If you want to save the artwork, instead of having it exposed, it should be done in a drawer and protected with a tissue paper or any other soft paper.

If you exhibit the artwork in a room, it must be protected by glass or methacrylate with UV protection.

If you want to frame it, the materials must be acid free as well as the passepartout. If the frame is made of wood and is in direct contact with the photo, it must be made of natural wood and without varnish.

Adhesives must also be acid free. If not, any other adhesive could leave yellow marks and deteriorate the support.

The work should never be touched directly with the hands in order to avoid leaving traces of grease or moisture. You have to touch it with cotton gloves like the ones that we enclose inside the package.

Do not screw the photograph back on after it has been removed from the tube in case you have received it like that.

Store the work in a cool, dry place preferably at a room temperature between 10º and 30º with a relative humidity between 49% and 60%.

If you have acquired more than one photograph, they should never be touched between them since the surface is very sensitive. You should always put a tissue paper or, at least, another soft paper between the both of them.

A pair of white cotton gloves and a personalized postcard.

The artwork is shipped flat or rolled in a tube depending on the size, well protected with bubble wrap.